There are clear IN and Out buttons to make edits faster, and Insert buttons to add the clip you have chosen to the edit. It all communicates wirelessly with your computer and its internal battery is charged via USB-C, or you can leave it plugged directly into your computer. The search dial has an electronic clutch so you can quickly locate shots and trim edits. The keyboard is a solid and professional-feeling bit of gear, with a machined metal body, and solid keys that do have a slightly old-school feel about them. It takes some getting used to, but once you do, it’s faster than using a mouse.

Then you can simultaneously mark clips, perform edits or trim clips with your left hand. This means you can use the search dial and source tape buttons with your right hand to locate the shots you want. It’s a professional-style keyboard with transport controls on the right side and edit functions on the left. One way of speeding up your workflow in the edit is to use the $295/£225 DaVinci Resolve Speed Editor keyboard which can let you edit using both hands. And this means it takes a lot of learning to get the best out of it. It is more complicated than other editing programmes as it is far more than just a non-linear video editor. Studio version and Speed EditorĭaVinci Resolve 17 is fast and easy to use, once you know how. And when it comes to adding your own look, tools like Color Warper lets you set a colour palette that effects certain colors, for example, and paste them onto other shots in the timeline. However you like to work, you’re covered. Tools includes waveforms, vectorscopes, histogram, parades and CIE chromacity. Then you can change each one individually.

So the first node is usually for basic image colour balance, the second might be to isolate the sky, the third might be to smooth out skin, a fourth might be to add a flare. Resolve Color works by using ‘Nodes’, where each node is a set of color changes. Secondary grading lets you adjust just one particular color of an image, Power Windows allow you to select a shape to mask out during color changes, while the Tracker lets you follow that shape through a scene. There are Curves to adjust the colour and contrast in finer detail, and you can adjust hue, saturation and luminance separately too. But for more advanced users, there are lots of very capable options. The Resolve page uses 'nodes' for individual color adjustments. And an Auto Balance and Matching function allows these settings to be applied to similar shots on the timeline. Or you can click onto a part of the image and tweak the settings for that colour individually. The Offset wheel adjusts the whole image. The primary color wheels let you adjust balance and brightness are called Lift, Gamma and Gain – which some call shadows, midtones and highlights. DaVinci makes it as easy as other NLEs by allowing tweaks via conventional sliders or colour wheels which adjust contrast, colour temperature, midtones, saturation and more. The edit page also has basic audio controls and quick exports.įrom here, the Color page is a full-on Hollywood-level colour correction and grading tool including Wide Gamut and HDR images. As is working with multicams, selecting transitions, or adding the built-in 2D and 3D titles, cropping, speed ramping, image stabilisation and more. Trimming is similar to other NLEs (no-linear editing programs), too. Then drag it to the timeline or use the editing overlay, which allows you to insert, overwrite, replace or other editing options. You double click a clip to load into the inspector, drag the playhead to where you want your clip to start in the time line, mark clips with in and out points, or use traditional I and O as in and out points. If you are used to Adobe Premiere Pro or Final Cut Pro X, this is where you will feel most at home as it’s similar. The Edit page features drag and drop editing, smart trimming tools, fast proxy editing, live previews of any effects and has a huge library full of effects and transitions.

Resolve studio price